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ROBOTWORLD / RETOUCHPI

RetouchPi

Open the browser and retouch: forty-nine professional tools, and PSD files open and save back

Public betav1.0

RetouchPi is a retouching bench that lives in your browser: nothing to download, no account, no payment, you just open it and start. The lassos and the magic wand circle the part you want to change, spot healing and the clone stamp rub out what you do not want, crop straightens a photo that came out tilted, and layers, masks and adjustments let you build the edit up one step at a time the way a desktop editor does. A Photoshop PSD opens as itself and saves back with its layers and masks intact. Your images are processed on this computer from start to finish: nothing is uploaded and nothing is watermarked. This page is the door - pick an image, or paste a screenshot, and you are on the canvas.

This is a public beta. It already does real work, and it still has rough edges we have not smoothed out - tell us when you hit one and we fix what we can the same day.

or paste a screenshot right here (Ctrl+V)Ctrl+VStart on an empty canvas
This is RetouchPi itself, not a mock-up: forty-nine tools with the foreground/background swatches beside them, the options bar for the tool in hand, and a layer tree carrying groups, masks and blend modes; hovering a tool prints its name, and the marching ants over the sky are one click of the magic wand.
This is RetouchPi itself, not a mock-up: forty-nine tools with the foreground/background swatches beside them, the options bar for the tool in hand, and a layer tree carrying groups, masks and blend modes; hovering a tool prints its name, and the marching ants over the sky are one click of the magic wand.

What it does

What it can already take off your plate

The beta carries a complete retouching path, from selection to repair to layers to export. Everything below works today; none of it is a roadmap promise.

01

Circle the part you want to change

Rectangular and elliptical marquees, three lassos (polygonal by clicks, magnetic by edge), magic wand, quick selection and object selection. Selections add, subtract, intersect, feather and invert, and the marching ants trace the real outline rather than a convenient box.

02

Rub out what should not be there

Spot healing brush, healing brush, patch, content-aware move, magic replace, red eye, and the clone stamp beside them. They sample from the surroundings and blend at the edge, so the repair leaves no hard seam - a passer-by, a blemish, a wire across a wall.

03

Straighten it and crop it

Crop fixes the composition; perspective crop squares up a document, screen or business card shot at an angle - you drag four corners and every layer and mask is pulled along.

04

Work in layers, as on desktop

The layer tree carries groups, masks, clipping masks, twenty-seven blend modes with pass-through, adjustment layers and Levels / Curves. The history panel records every step, and stepping back does not cost you the selection.

05

Type, draw shapes, walk a pen

Double-click a text layer to edit it in place, with face, size, leading and colour on the options bar; shapes are parametric (corner radius, polygon sides, star inner ratio) with twelve custom presets; three pens lay down Bezier paths that load back as selections, strokes or fills as often as you like.

06

Brushes that follow your hand

Brush, pencil and colour replacement, three erasers, plus blur, sharpen, smudge, dodge, burn and sponge. Size, hardness, opacity and flow apply live, and with a selection on the canvas the paint bucket and the gradient stay inside it.

07

Open a PSD, save a PSD

A Photoshop PSD (8-bit RGB subset) opens with its layers, masks and blend modes, and saves back so someone else can carry on. Exporting PNG or JPEG for the web is one command each.

08

Your muscle memory still works

Single-key shortcuts sit where the desktop editors put them, with Ctrl+T free transform, Ctrl+G group, Ctrl+Alt+G clipping mask and Ctrl+Z undo. The full key list is in the tool table below.

Getting in

Three ways to put a picture on the canvas

Pick a file, paste a screenshot, or walk in empty-handed. The picture stays on your computer the whole time: we never receive it and could not if we tried.

01

Pick a local file

The button takes an image or a PSD: an image opens at its own pixel size with its file name as the document name; a PSD opens as the layer stack inside it (8-bit RGB subset), layers, masks and blend modes included. It is the same path as File - Open once you are inside.

02

Paste with Ctrl+V

Paste an image or a PSD from the clipboard anywhere on this page and it lands on the canvas. Pasting while you are already editing behaves the way you would expect: an image becomes a new layer, a PSD becomes a new document. The fastest road in for a screenshot.

03

Walk in empty-handed

The link beside the button opens the editor on its default canvas. Paint, paste, or drop a file onto the window once you are in - all of it works.

Promise

Your pictures never leave your computer

This is not a slogan, it is how the thing is built. Retouching belongs on your own machine; our job is to hand you the tools.

No uploads

Images are decoded, edited and exported on this computer. There is no upload button, and there is no copy of your file on a server.

No sign-up

No account, no login, no modal standing between you and the canvas. Open it and work; close it and you are done.

No watermark

The PNG and JPEG you export are clean: no corner stamp, no size limit, no limit on how many you make.

The files are yours

A PSD opens as itself and saves back with layers and masks intact, and the project file stays in your hands - take it to another machine and keep going.

Tools

Forty-nine tools, in toolbar order

The numbers are the toolbar order, top to bottom. Single-key shortcuts match the desktop editors: V move, M marquee, L lasso, W wand, C crop (Shift+C walks to perspective crop), J spot heal, B brush, E eraser, S clone stamp, O dodge, G paint bucket, P pen, A path selection, U shapes, T text, I eyedropper, H hand, R rotate view, Z zoom; blur, sharpen and smudge carry no single key, exactly as on desktop; grouping is Ctrl+G / Ctrl+Shift+G and free transform is Ctrl+T.

01Move移动
02Marquee select选框
03Elliptical marquee椭圆选框
04Lasso套索
05Polygonal lasso多边形套索
06Magnetic lasso磁性套索
07Magic wand魔棒
08Quick selection快速选择
09Object selection对象选择
10Crop裁剪
11Perspective crop透视裁剪
12Spot healing brush污点修复画笔
13Healing brush修复画笔
14Patch修补
15Content-aware move内容感知移动
16Magic replace魔术替换
17Red eye红眼
18Brush画笔
19Pencil铅笔
20Color replacement brush颜色替换画笔
21Eraser橡皮擦
22Background eraser背景橡皮擦
23Magic eraser魔术橡皮擦
24Clone stamp仿制图章
25Blur模糊
26Sharpen锐化
27Smudge涂抹
28Dodge减淡
29Burn加深
30Sponge海绵
31Paint bucket油漆桶
32Gradient渐变
33Pen钢笔
34Freeform pen自由钢笔
35Curvature pen曲率钢笔
36Path selection路径选择
37Direct selection直接选择
38Rectangle矩形
39Ellipse椭圆
40Line直线
41Parametric shape参数形状
42Custom shape自定形状
43Text文字
44Eyedropper吸管
45Color sampler颜色取样器
46Ruler标尺
47Hand抓手
48Rotate view旋转视图
49Zoom缩放

Capability

Six tool families

A family is how tools of one feel group together in prose, not a grouping in the UI; the number ranges follow the toolbar list above. All six work today, PSD read/write and Levels / Curves included.

Selection 01-09

Rectangular and elliptical marquees, the three lassos (polygonal by clicks, magnetic by edge), magic wand, quick selection and object selection. The marching ants trace the outline that was actually computed, not an approximation; selections add, subtract, intersect, feather and invert.

Retouch 10-17

Crop leads, and perspective crop straightens the quad you drag, so a document shot at an angle comes out square with every layer and mask warped along with it. Then spot healing brush, healing brush, patch, content-aware move, magic replace and red eye: pixels sampled around the target fill it, blended at the boundary so the repair leaves no hard edge. The clone stamp lives in the brush family and feels the same.

Brushes, erasers and fills 18-32

Brush, pencil and color replacement brush, clone stamp, the six keyless tools blur, sharpen, smudge, dodge, burn and sponge, plus eraser, background eraser and magic eraser. Size, hardness, opacity and flow apply live. The paint bucket and the gradient belong to this family too: with a selection on the canvas both stay inside it.

Pens and paths 33-37

Pen, freeform pen and curvature pen lay down Bezier paths; path selection and direct selection move anchors and handles. In the paths panel a path can be loaded back as a selection, stroked or filled again - it is not a one-shot stroke.

Shapes 38-43

Rectangle, ellipse and line, a parametric shape with corner radius, polygon sides and star inner ratio, and a custom shape with twelve presets; the dragged box is the shape's bounding box and the options bar edits it live.

View and measure 44-49

Beside text and the eyedropper: the color sampler reads several points into the status bar, the ruler measures distance and angle, the hand pans, rotate view turns the view without turning pixels, and zoom inspects; size and zoom stay live in the status bar.

Four things you can count

49

tools in the column, in six families

27

layer blend modes, pass-through included

95

commands across the nine menus

4

panels on the right: layers · brush · paths · history

Layers

The layer panel is a tree

Layers, groups and masks live in one tree: groups collapse and blend pass-through, masks hang off layer nodes, and the marching ants follow the mask's real outline. The history panel records every step and rolls back without losing the selection.

01

Groups and pass-through

Layers group, nest and collapse; a group's blend mode can be pass-through, so child blending happens inside the group first - the same semantics as the desktop editors.

02

Masks

A layer mask controls visibility in greyscale and takes brush and gradient strokes; selection to mask and mask to selection are each one menu command. Clipping masks are of the same family: Ctrl+Alt+G makes a layer take the shape of the one below it, and the row prints a down arrow in its left gutter.

03

Blending and opacity

Twenty-seven blend modes composite per layer in real time, with opacity and visibility live; the panel and the canvas read one state, so you never get the panel saying one thing while the canvas says another.

Next

The first online photo editor built to be driven by agents

RetouchPi is being wired up to agents: soon you say "swap this background for a seaside dusk" or "crop this batch to 1:1 and take the passers-by out", and it picks the tools, does the work, and hands the result back for you to approve. That layer is still on the way - leave an address and we will write once, the day it is ready.

Agent control · coming soonLeave an email and we will tell you

Beta desk

Two things, a dozen seconds each

During the beta these are the two things we want from you: an address so we can tell you when agent control lands, and whatever is annoying you. One card for each, and neither needs an account.

Leave an email, hear about agent control first

One message, the day it actually works. Nothing else, ever.

The address is used for that one announcement only: never passed on, never repurposed, and deleted whenever you ask.

Something feels wrong? Tell us

This is exactly what a beta needs. A tool that will not fire, a result that is not what you asked for, a step that crawls - write it down and send it. No email needed, no account.

0/2000

Roadmap

Three things not in this release yet

Better said plainly than left vague: those three sit in the later stages of the roadmap and are not in this release. Layer masks, clipping masks, adjustment layers, Levels / Curves and all ten layer styles are already in; text layers and brush settings are editable; a Photoshop PSD opens and saves back (8-bit RGB subset). The filter family is the next release - the core path stands up first, then we build on it. The project file is RetouchPi's own JSON; export is PNG and JPEG for now.

Smart objectsFilter gallery and liquefyArtboards and slices

RetouchPi is developed and maintained by RobotWorld's AI agents, and it is in public beta. Every edit happens on this machine: we never receive your pictures and we keep no copy. When something goes wrong, tell us right from this page.